Volunteers donate 50% more than non-volunteers, but ten years after that discovery nonprofits don’t seem to care

Here’s a news flash so old that it’s available on microfiche down at the county library:

[H]ouseholds in which members volunteer for charitable causes or at their church give more than twice as much money to charities than households with no volunteers.

That statistic comes from research undertaken by Independent Sector in 2001.

Why cite a statistic that is older than the lunch meat in our refrigerator at work?

Because the report was a tree falling in the forest that nobody heard.

And it still falls on deaf ears today.

Think about it:

  • The single greatest differentiator between a person giving a lot or a little or even nothing at all…is whether they volunteer.
  • Want to increase the amount your donors give…by FIFTY PERCENT? Get them to volunteer.
  • Did you hear that? A FIFTY PERCENT INCREASE!!! What other tool or technique or strategy offers that kind of return?
    • Not wealth identifier indices.
    • Not underlining words the right away or leading with the right headline.
    • Even a 10 to 15 percent increase in your fundraising results over the previous year would be heralded as a hugely successful fundraising campaign. But FIFTY PERCENT??? Get out of here. That’s fundraising hall of fame level stuff.

Here’s the weird thing:

When Independent Sector published their report on that 2001 study, they didn’t even highlight that stat. They buried the proverbial lead, as it were.

So it’s not surprising that ten years later, most fundraisers still have never heard of that study.

So we quote it again here, in hopes that someone will notice.

Happy birthday, Independent Sector study. Here’s hoping that by the time you turn twenty, we nonprofits will have gotten your message.

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The two best pieces of advice you can give to a speaker preparing for a nonprofit fundraising banquet are…

I mentioned in my previous post that I was in SoCal emceeing a banquet for With This Ring last week. While there, I heard the best banquet speaker I’ve yet heard, Stan Patyrak from Living Water International.

I wish I had taped his five minute message (isn’t that why I paid $79 for that Flip Camera for anyway?), but there’s a clip of Stan on YouTube that will give you an idea of the brother’s content and cadence.

Learn two things from Stan:

1. The most powerful part of a speaker’s presentation are the pauses.

When you review a speech ahead of time with the speaker, don’t, um, just review the speech. Help them mark it up to note where they need to pause. Pausing electrifies a room. Stan does it less on the YouTube audio, but at the With This Ring banquet, people were hanging on his every pause…not his every word.

In the words of Sam Harrison, author of ideaselling (thanks for the link, Joanne Fritz of About.com!):

A few years ago, Edward Norton and four other actors participated in a discussion at the Directors Guild in Manhattan. The panel quickly adopted a rotation, with each actor commenting on film-related topics. When Norton’s turn, he would always pause before speaking. The audience awaited his words. Norton’s comments were no more profound than those of fellow panelists, but the pauses positioned him as the group’s sage. For your next pitch, pause before starting. Lock eyes with audience members. Build anticipation. Capture their complete attention–then begin.

And, banquet emcees, this sure beats you saying, “Alright…everybody…we’re gonna start now…if I can just get your attention, please…gonna start now…and, uh…everybody?”

2. Focus your speech on the cause, not the organization

Almost every banquet speech I’ve ever heard ends up being a paean to the organization hosting the banquet, e.g., “And that’s what’s so great about With This Ring”. In contrast, listen to Stan’s YouTube remarks. Note how delightfully little he talks about the organization he represents, Living Water International.

“Living Water,” says Stan, “is just a small part of this bigger thing called the Gospel.” But the main thing I want to talk about, Stan continues, is the question, “Why are people poor?”

Which topic, do you suppose, answers a question Stan’s listeners are asking on an ongoing basis?

  1. What is Living Water International and why are they so wonderful?
  2. Why are people poor?

Fascinatingly, I’ve only ever encountered Stan speaking at other organizations’ banquets. Brother doesn’t focus on promoting Living Water.

What banquet could you be at–what banquet should you be at–to promote the cause of which your organization is “just a small part of this bigger thing called the Gospel”?

Maybe you should call up the nonprofit that does almost exactly the same thing you do and offer to speak at their banquet [editor’s note: not about your organization, ya nut] or record a testimonial about their impact.

When you do, don’t forget to pause.

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The Mongoliad, the future of nonprofit-as-narrative, and the demise of nonprofit-as-organization

There’s an intriguing piece in Fast Company on Neal Stephenson’s effort to reinvent the novel as a “social media app”. The best and most detailed description of what Stephenson has in mind is found on the Mongoliad’s Facebook page. Let me quote it at length because it doesn’t make much sense unless you can get the whole idea on the table, er, iPad tablet:

The Mongoliad is a rip-roaring adventure tale set 1241, a pivotal year in history, when Europe thought that the Mongol Horde was about to completely destroy their world. The Mongoliad is also the beginning of an experiment in storytelling, technology, and community-driven creativity.

Our story begins with a serial novel of sorts, which we will release over the course of about a year. Neal Stephenson created the world in which The Mongoliad is set, and presides benevolently over it. Our first set of stories is being written by Neal, Greg Bear, Nicole Galland, Mark Teppo, and a number of other authors; we’re also working closely with artists, fight choreographers & other martial artists, programmers, film-makers, game designers, and a bunch of other folks to produce an ongoing stream of nontextual, para-narrative, and extra-narrative stuff which we think brings the story to life in ways that are pleasingly unique, and which can’t be done in any single medium.

Very shortly, once The Mongoliad has developed some mass and momentum, we will be asking fans to join us in creating the rest of the world and telling new stories in it. That’s where the real experiment part comes in. We are building some pretty cool tech to make that easy and fun, and we hope lots of you will use it.

In short, Stephenson is changing the novel from something written by an author and read by a reader to something over which the author “benevolently presides” and the reader uses as a series of tools to make meaning that fills out and completes the author’s original vision.

Believe it or not, I experienced something very similar to this at, of all places, a nonprofit fundraising banquet I emceed last week.

With This Ring was founded by Ali Eastburn in 2007. She was leading worship at a Christian women’s retreat in Orange County, California. As she looked out at all the wealthy worshipers raising their hands in praise, she had this distinct sense that God was calling her–and maybe them, too–to sell their rings and donate the proceeds to drill clean drinking water wells in Africa.

When she finished her worship set, she excitedly told the women what she was thinking. Their response wasn’t nearly so excited, but, undaunted, Ali sold her own ring and drilled a well anyway.

And so far nearly 300 others have followed her lead and donated rings through With This Ring.

What all of this has to do with The Mongoliad:

After last year’s banquet, Ali spent the night in the Anaheim Marriott (where the banquet had been held) because she was too tired to head home, and they had comped her a room anyway. The hotel clerk, Lindsay, who checked Ali in inquired what all this With This Ring stuff was about…and promptly got wrapped up in the story, too:

Her fiance bought Ali’s original ring, re-set with a cubic zirconium in it, and the two pledged to use their wedding as the means to raise money for an additional drinking water well.

So Lindsay and her husband spoke at the banquet the other night.

I told the banquet attendees that With This Ring was less like a nonprofit than you supported and more like a story you got drawn into. And, as if to underscore that message, Ali surprised everyone by taking a $14,000 Tiffany bracelet donated by a woman named Tracy and loaning it from now until the next With This Ring banquet to one of the banquet attendees.

There was no prior announcement of this to anyone who was coming–just a little note in the evening’s program that said “The Bracelet”. After showing a video of Tracy’s story, Ali noted that rather than selling the bracelet right away, Tracy wanted to “gift” it temporarily to one of the women at the banquet–someone chosen the evening of the banquet by prayerful discernment–who would commit to wearing it every day wherever she went over the course of the next year and sharing the story of the bracelet and of With This Ring.

A woman named Brianna (whom no one knew prior to the moment she was called up on stage) was selected as the recipient. She had just been married five weeks before and said to me, “When you all announced about the bracelet, I knew it wouldn’t be me who got to wear it.”

It was riveting stuff.

There’s a part of my nonprofit psyche (the institutionally oriented part) that was going crazy thinking of every possible thing that could go wrong. Was the bracelet insured? (Yes.) What if the person selected turned down the offer? (Trust the Holy Spirit, Ali said.)  What if she walked out of the banquet and was never heard from again? (Interesting plot twist in the story, I’d say.)

What materialized was something very different.

A bunch of the banquet attendees went up and talked to her afterwards. A bunch more said to me, “When’s the next banquet? I need to be there so I can hear what happens with Brianna.” I would be shocked if less than 50% of the attendees failed to tell their friends the story the next day. (I’m doing so now through this post, for example.)

What happens when a nonprofit moves from being an organization to a narrative? What happens when the executive director moves from being the “leader” to being the “benevolent presider” over co-creation of meaning built around a cause?

We presently lack even the vocabulary to talk about these things in our nonprofit-as-organization world. We do, however, have a pretty good precedent on which we can draw:

The New Testament.

Then Jesus came to them and said, “All authority in heaven and on earth has been given to me. Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything I have commanded you. And surely I am with you always, to the very end of the age.”

What is The Great Commission if not the most powerful social media app ever created?

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